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Last edited anonymously
April 30, 2008 | History

Michael T. Martin

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16 works Add another?

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  • Cover of: African Cinema : Manifesto and Practice for Cultural Decolonization : Volume 1: Colonial Antecedents, Constituents, Theory, and Articulations

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  • Cover of: African Cinema : Manifesto and Practice for Cultural Decolonization : Volume 3: the Documentary Record--Declarations, Resolutions, Manifestos, Speeches

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  • Cover of: African Cinema : Manifesto and Practice for Cultural Decolonization : Volume 2: FESPACO--Formation, Evolution, Challenges

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  • Cover of: Richard E. Norman and Race Filmmaking

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  • Cover of: From Street to Screen: Charles Burnett's Killer of Sheep

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  • Cover of: New Latin American Cinema: Studies of National Cinemas (Contemporary Film and Television Series)

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  • Cover of: Redress for historical injustices in the United States: on reparations for slavery, Jim Crow, and their legacies

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  • Cover of: Politics and Poetics of Black Film: Nothing but a Man

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  • Cover of: Race and the Revolutionary Impulse in the Spook Who Sat by the Door

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  • Cover of: Cinemas of the Black Diaspora: Diversity, Dependence, and Oppositionality (Contemporary Film and Television Series)

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  • Cover of: Birth of a Nation: The Cinematic Past in the Present

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  • Cover of: Realistic Retirement for Realistic People: Look Before You Leap

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  • Cover of: Redress for Historical Injustices in the United States: On Reparations for Slavery, Jim Crow, and Their Legacies

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  • Cover of: Cinemas of the Black diaspora: diversity, dependence, and oppositionality

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  • Cover of: Studies of development and change in the modern world

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  • Cover of: New Latin American cinema
    First published in 1997 1 edition in 1 language — 1 previewable

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History

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April 30, 2008 Created by an anonymous user initial import