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Subjects
History, Music, Performance practice (Music), Singing, History and criticism, Interpretation (Phrasing, dynamics, etc.), Vocal music, Acoustics and physics, Acoustique et physique, Bel canto, Embellishment (Music), Enregistrement et reproduction, Great britain, history, Instruction and study, Methods, Music theory, Music theory, history, 16th century, Music, acoustics and physics, Music, british, history and criticism, Music, history and criticism, 16th century, Music, interpretation (phrasing, dynamics, etc.), Musica ficta, Musical pitch, Musique, Performance practice (music)ID Numbers
- OLID: OL670965A
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August 29, 2008 | Edited by RenameBot | fix author name |
April 1, 2008 | Created by an anonymous user | initial import |