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This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions.
Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies.
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Composing for the films.
1951, Dennis Dobson, Dennis Dobson 1951
in English
0234771488 9780234771488
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Book Details
Edition Notes
First published in 1947.
Later editions have postscript attributing work to H. Eisler and T. W. Adorno.
Includes bibliographical references.
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- Created September 12, 2008
- 4 revisions
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July 11, 2024 | Edited by MARC Bot | import existing book |
December 15, 2009 | Edited by WorkBot | link works |
April 20, 2009 | Edited by ImportBot | add OCLC number |
September 12, 2008 | Created by ImportBot | Imported from Oregon Libraries MARC record |