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The poem was inspired by the apocryphal story that a young Jesus, accompanied by his uncle Joseph of Arimathea, a tin merchant, travelled to what is now England and visited Glastonbury during the unknown years of Jesus. The legend is linked to an idea in the Book of Revelation describing a Second Coming, wherein Jesus establishes a new Jerusalem. The Christian Church in general, and the English Church in particular, has long used Jerusalem as a metaphor for Heaven, a place of universal love and peace. In the most common interpretation of the poem, Blake implies that a visit by Jesus would briefly create heaven in England, in contrast to the "dark Satanic Mills" of the Industrial Revolution. Blake's poem asks questions rather than asserting the historical truth of Christ's visit. Thus the poem merely implies that there may, or may not, have been a divine visit, when there was briefly heaven in England.
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Poetry (poetic works by one author)Edition | Availability |
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01
Jerusalem: the emanation of the giant Albion
1991, William Blake Trust/Princeton University Press
in English
0691069352 9780691069357
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02
Jerusalem: the emanation of the Giant Albion
1991, William Blake Trust/Tate Gallery
in English
1854370669 9781854370662
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03
Jerusalem: the emanation of the Giant Albion.
1974, The William Blake Trust/The Trianon Press
in English
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12
Jerusalem: a facsimile of the illuminated book
1951, Published by the Trianon Press for The William Blake Trust
in English
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20
Gerusalemme, l'emanazione del gigante Albione
Publish date unknown, Fratelli Bocca - Editori
in Italian
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- Created September 13, 2008
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