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To read Peter Dronke's book is to want immediately to read again the lyrics about which he writes so perceptively. His understanding of human nature combines with an extraordinary bird's-eye view of Western European culture in the middle ages (and familiarity with the languages) to present the poetry of the time in beguiling context.
He shows the men and women who sang and played in medieval Europe as the heirs of both a Roman and a Germanic lyric tradition, united but differentiated from country to country; he introduces the scholars and musicians from the Byzantine world and the Paris schools, the German courts and Italian city-states, and he brilliantly presents their work, both sacred and profane.
The melodies are given for twelve of the lyrics discussed, a small but satisfying repertoire and an important reminder that music was for a medieval audience an essential complement to the lyric.
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Book Details
Edition Notes
Originally published in 1968 by Hutchinson University Library, London, in their Modern languages and literature series, edited by J. M. Cohen.
Bibliography: p. [241]-256.
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- Created September 27, 2008
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December 14, 2023 | Edited by MARC Bot | import existing book |
December 15, 2009 | Edited by WorkBot | link works |
April 22, 2009 | Edited by ImportBot | add OCLC number |
September 27, 2008 | Created by ImportBot | Imported from Oregon Libraries MARC record |