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A pioneering work in the movement to free art from its traditional bonds to material reality, this book is one of the most important documents in the history of modern art. Written by the famous nonobjective painter Wassily Kandinsky (1866-1944), it explains Kandinsky's own theory of painting and crystallizes the ideas that were influencing many other modern artists of the period. Along with his own ground-breaking paintings, this book had a tremendous impact on the development of modern art. The first part issues a call for a spiritual revolution in painting that will let artists express their own inner lives in abstract, non-material terms. Just as musicians do not depend upon the material world for their music, so artists should not have to depend upon the material world for their art. In the second part, Kandinsky discusses the psychology of colors, the language of form and color, and the responsibilities of the artist. An Introduction by the translator offers additional explanation of Kandinsky's art and theories.--From publisher description.
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1
Concerning the Spiritual in Art
April 30, 2005, IndyPublish.com
Paperback
in English
1421903792 9781421903798
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3
Über das Geistige in der Kunst.: 4. Aufl., mit einer Einführung von Max Bill.
1952, Benteli
in German
- 4. Aufl.
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Concerning the spiritual in art, and painting in particular. 1912.: [A version of the Sadleir translation
1947, Wittenborn, Schultz
in English
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March 22, 2010 | Edited by 194.88.210.254 | Edited without comment. |
October 13, 2009 | Edited by WorkBot | add edition to work page |
October 9, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |