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What is the role of the Writer? Prophet? High Priest of Art? Court Jester? Or witness to the real world? Looking back on her own childhood and writing career, Margaret Atwood examines the metaphors which writers of fiction and poetry have used to explain--or excuse!--their activities, looking at what costumes they have assumed, what roles they have chosen to play. In her final chapter she takes up the challenge of the title: if a writer is to be seen as "gifted," who is doing the giving and what are the terms of the gift? Atwood's wide reference to other writers, living and dead, is balanced by anecdotes from her own experiences, both in Canada and elsewhere. The lightness of her touch is offset by a seriousness about the purpose and the pleasures of writing, and by a deep familiarity with the myths and traditions of western literature.
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Edition | Availability |
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1
Yu si zhe xie shang Negotiating with the dead: tan xie zuo= : a writer on writing
2004, Rye Field Pub.
in Chinese
9867537750 9789867537751
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2
Negotiating with the dead: a writer on writing
2003, Anchor Books
in English
- 1st Anchor Books ed.
1400032601 9781400032600
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3
Negotiating with the Dead: A Writer on Writing
2002, Cambridge University Press
Hardcover
in English
0521662605 9780521662604
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Includes bibliographical references and index.
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- Created November 1, 2008
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April 26, 2011 | Edited by OCLC Bot | Added OCLC numbers. |
September 16, 2010 | Edited by WorkBot | merge works |
September 16, 2010 | Edited by WorkBot | add editions to new work |
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November 1, 2008 | Created by ImportBot | Imported from University of Toronto MARC record |