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This classic account of the nature of film music aesthetics was first published in 1947. Its value comes from a unique combination of talents and experience enjoyed by the book's authors. Eisler's time at Hollywood gave him a particular insight on the technical questions which arise for composers when music is used in the production of films; while Adorno was able to contribute on wide aesthetic and sociological matters as well as specifically musical questions.
Above all, the authors envisaged the book as a contribution to the study of modern, industrialised culture; and, in this respect, it has a particular importance to the whole area of Cultural Studies.
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Composing for the films.
1951, Dennis Dobson, Dennis Dobson 1951
in English
0234771488 9780234771488
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Edition Notes
Komposition für den Film is a translation of Composing for the film, originally published under Eisler's name alone.
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- Created November 1, 2008
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August 18, 2010 | Edited by IdentifierBot | added LibraryThing ID |
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November 1, 2008 | Created by ImportBot | Imported from The Laurentian Library MARC record |