This Kraken Edition of Pierre, or The Ambiguities is a reconstruction of the text that Melville delivered to Harper & Brothers early in January 1852, just as some of the most devastating reviews of Moby-Dick were appearing. The Harper brothers apparently decided that Pierre was even more outrageous than Moby-Dick and tried to avoid publishing it by offering Melville less than half the royalties they had paid for his previous books.

Accepting the humiliating contract, Melville took a self-destructive revenge. After Book XVI, he interpolated a new section on "Young America in Literature," in which he arbitrarily announced that his hero, Pierre, had been a juvenile author. Melville proceeded to add an intrusive "Pierre as author" sub-plot, disparaging American literary life and the world of publishing, which he left unassimilated into the book he had first completed.

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Melville scholar Hershel Parker has long believed that the psychological stature of Moby-Dick would best be understood in the light of the original, shorter version of Pierre, in his opinion "surely the finest psychological novel anyone had yet written in English." Moby-Dick and the reconstructed Pierre are at last revealed as complexly interlinked companion studies of the moods of thought - the Typee and Omoo of depth psychology.

Furthermore, all Melville lovers will be challenged by Maurice Sendak's extraordinary pictures, which constitute a brilliantly provocative interpretation of Melville's study of moral and mental ambiguities.