When Marie decides to leave Bruce, she delivers herself of a torrent of ferocious humor and foul-mouthed vituperation concerning him and their marriage, not to mention love, hate, caring, commitment, and all the other current cliches about relationships. Following Marie and Bruce through breakfast, a friend's party, and dinner, the playwright orchestrates her savage attacks and his slyly passive defenses into a symphony of subversive propositions about the nature of the marital state.