An edition of Film 1900 (2009)

Film 1900

technology, perception, culture

Film 1900
Klaus Kreimeier, Annemone Lige ...
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Last edited by MARC Bot
July 30, 2019 | History
An edition of Film 1900 (2009)

Film 1900

technology, perception, culture

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Publish Date
Language
English
Pages
250

Buy this book

Previews available in: English

Edition Availability
Cover of: Film 1900
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English
Cover of: Film 1900
Film 1900: Technology, Perception, Culture
2009, Indiana University Press
in English
Cover of: Film 1900
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English
Cover of: Film 1900
Film 1900: technology, perception, culture
2009, John Libbey, Distributed in North America by Indiana University Press
in English

Add another edition?

Book Details


Table of Contents

Introduction: Triangulating a turn: film 1900 as technology, perception and culture / Annemone Ligensa
Archaeologies of interactivity: early cinema, narrative and spectatorship / Thomas Elsaesser
Viewing change, changing views: the 'history of vision'-debate / Frank Kessler
The ambimodernity of early cinema: problems and paradoxes in the film-and-modernity discourse / Ben Singer
Mind the gap: the discovery of physiological time / Henning Schmidgen
'Is everything relative?' : cinema and the revolution of knowledge around 1900 / Harro Segeberg
The aesthetic idealist as efficiency engineer: Hugo Münsterberg's theories of perception, psychotechnics and cinema / Jörg Schweinitz
Between observation and spectatorship: medicine, movies and mass culture in imperial Germany / Scott Curtis
The scene of the crime: psychiatric discourses on the film audience in early twentieth century German / Andreas Killen
Seen through the eyes of Simmel: the cinema programme as a 'modern' experience / Andrea Haller
'Under the sign of the cinematograph': urban mobility and cinema location in Wilhelmine Berlin / Pelle Snickars
Perceptual environments for films: the development of cinema in Germany, 1895-1914 / Joseph Garncarz
'Fumbling towards some new form of art?': the changing composition of film programmes in Britain, 1908-1914 / Ian Christie and John Sedgwick
The attraction of motion: modern representation and the image of movement / Tom Gunning
'Dashing down upon the audience': notes on the genesis of filmic perception / Klaus Kreimeier
German Tonbilder of the 1900s: advanced technology and national brand / Martin Loiperdinger
Sculpting with light: early film style, stereoscopic vision and the idea of a 'plastic art in motion' / Michael Wedel
'A cinematograph of feminine thought': The dangerous age, cinema and modern women / Annemone Ligensa
Cinema as a mode(l) of perception: Dorothy Richardson's novels and essays / Nicola Glaubitz.

Edition Notes

Includes bibliographical references.

Published in
New Burnet, England, Bloomington, IN

Classifications

Dewey Decimal Class
791.430909/04
Library of Congress
PN1993.5.A1 F56 2009

The Physical Object

Pagination
vi, 250 p. :
Number of pages
250

ID Numbers

Open Library
OL24108090M
ISBN 10
0861966961
ISBN 13
9780861966967
LCCN
2009504284

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Download catalog record: RDF / JSON / OPDS | Wikipedia citation
July 30, 2019 Edited by MARC Bot associate edition with work OL18564564W
March 18, 2010 Created by ImportBot Imported from Library of Congress MARC record