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Need to seize a country? Have enemies you must destroy? In this handbook for despots and tyrants, the Renaissance statesman Machiavelli sets forth how to accomplish this and more, while avoiding the awkwardness of becoming generally hated and despised. "Men ought either to be well treated or crushed, because they can avenge themselves of lighter injuries, of more serious ones they cannot; therefore the injury that is to be done to a man ought to be of such a kind that one does not stand in fear of revenge." For nearly 500 years, Machiavelli's observations on Realpolitik have shocked and appalled the timid and romantic, and for many his name was equivalent to the devil's own. Yet, The Prince was the first attempt to write of the world of politics as it is, rather than sanctimoniously of how it should be, and thus The Prince remains as honest and relevant today as when Machiavelli first put quill to parchment, and warned the junior statesman to know how to do wrong, and to make use of it or not according to necessity.
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Political science, early works to 1800, Machiavel, Nicolas, 1469-1527. Prince, Classic Literature, Fiction, Ouvrages avant 1800, Science politique, Morale politique, Political science, Early works to 1800, Political ethics, Italian literature, Contribution à la philosophie politique, Biographie, Politique et morale, Philosophie politique, Philosophie de la Renaissance, History, The Renaissance, Catholic Church, Church and State, Literature, Early works to 1700, Industrial management, Politics, Philosophy, Political leadership, Politics and government, Republicanism, The State, Translations into English, Utopias, Doctrines, Sources, Social contract, Reformation, Staatkunde, Monarchie, Readers, Italian language, Historiography, Literature in Spanish, Ética política, Ciencias políticas, Obras anteriores a 1800, Estado, Italian language materials, Management, Essays, Government, General, National, Reference, Principe (Machiavelli, Niccolò), Political science, philosophy, Large type books, Accessible book, Ciencias politicas, Education of princes, Italian Manuscripts, Facsimiles, Political science--Philosophy--Early works to 1800, Political ethics--Early works to 1800, State, The--Early works to 1800, State, the, Long Now Manual for Civilization, Heerschappij, Olasz, Allamelmelet, Machiavellizmus, Political sciences, Police ethics, Philosophy and ethics, Fiction, psychological, Comics & graphic novels, fantasy, Machiavelli, niccolo, 1469-1527, Principe (Machiavelli, Niccolò̀), Jun zhu zhi, Zheng zhi si xiang shi, Yan jiu, History and criticism, Power (social sciences), Monokratie, État, Machiavelli, Niccolò, Il principe, Staatskunst, Political science--early works to 1800, Jc143 .m38 1999b, 320.101, Jc143 .m38 1984, Jc143 .m38 1999, 320.1, Jc143 .m3813 1995, Rome, historiography, Interpersonal relations, Military art and science, Psychology, Kunshuseiji, Kings and rulers, Duties, Política, Philosophie, Princes, Monarchy, Politique et gouvernementShowing 15 featured editions. View all 1405 editions?
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The Prince
2013-12-12, CreateSpace Independent Publishing Platform
in English
1494461943 9781494461942
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The Prince (Italian: Il Principe [il ˈprintʃipe]; Latin: De Principatibus) is a 16th-century political treatise written by Italian diplomat and political theorist Niccolò Machiavelli as an instruction guide for new princes and royals. The general theme of The Prince is of accepting that the aims of princes – such as glory and survival – can justify the use of immoral means to achieve those ends.
From Machiavelli's correspondence, a version appears to have been distributed in 1513, using a Latin title, De Principatibus (Of Principalities). However, the printed version was not published until 1532, five years after Machiavelli's death. This was carried out with the permission of the Medici pope Clement VII, but "long before then, in fact since the first appearance of The Prince in manuscript, controversy had swirled about his writings".
Although The Prince was written as if it were a traditional work in the mirrors for princes style, it was generally agreed as being especially innovative. This is partly because it was written in the vernacular Italian rather than Latin, a practice that had become increasingly popular since the publication of Dante's Divine Comedy and other works of Renaissance literature.
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April 22, 2022 | Edited by AgentSapphire | move to correct work |
April 22, 2022 | Edited by AgentSapphire | move to correct work |
January 31, 2013 | Edited by VacuumBot | Corrected bad edit: updated format to 'E-book' |
January 19, 2013 | Edited by VacuumBot | Updated format 'eBook' to ''; Removed author from Edition (author found in Work) |
June 23, 2010 | Created by ImportBot | Imported from marc_overdrive MARC record |