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Subjects
Music, psychological aspects, Music, performance, Composition (music), Music, Psychological aspects, Performance, Creative ability, Psychology, Creativity, Musique, Aspect psychologique, Exécution, Composition (Musique), Créativité, Instruction & Study, Appreciation, Kreativität, Musik, Music--psychological aspects, Music--performance--psychological aspects, Composition (music)--psychological aspects, Music--psychology, Ml3838 .m953 2006, 781/.11Showing 1 featured edition. View all 1 editions?
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Musical creativity: multidisciplinary research in theory and practice
2006, Psychology Press
in English
1841695084 9781841695082
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Table of Contents
Prelude. The spectrum of musical creativity
PART I. Creativity in musicology and philosophy of music
1. Playing God: Creativity, analysis, and aesthetic inclusion
2. Layered constraints on the multiple creativities of music
3. Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy
PART II. Creativity in musical listening
4. Analogy: Creative support to elaborate a model of music listening
5. Hearing musical style: Cognitive and creative problems
PART III. Creativity in educational settings
6. How different is good? How good is different? The assessment of children’s creative musical thinking
7. Understanding children’s meaning-making as composers
8. Processes and teaching strategies in musical improvisation with children
PART IV. Creativity in musical performance
9. Creativity, originality, and value in music performance
10. Exploring jazz and classical solo singing performance behaviours: A preliminary step towards understanding performer creativity
11. Spontaneity and creativity in highly practised performance
PART V. Creativity in music therapy
12. Musical creativity in children with cognitive and social impairment
13. Aesthetics of creativity in clinical improvisation
14. Hidden music: An exploration of silence in music and music therapy
PART VI. Neuroscientific approaches to musical creativity
15. From music perception to creative performance: Mapping cerebral differences between professional and amateur musicians
16. Musical creativity and the human brain
17. Beyond global and local theories of musical creativity: Looking for specific indicators of mental activity during music processing
PART VII. Computer models of creative behaviour
18. Creativity studies and musical interaction
19. Enhancing individual creativity with interactive musical reflexive systems
20. Putting some (artificial) life into models of musical creativity
Postlude. How can we understand creativity in a composer’s work? A Conversation between Irène Deliège and Jonathan Harvey
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- Created October 22, 2010
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August 11, 2024 | Edited by MARC Bot | import existing book |
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