Cognition in the Globe
attention and memory in Shakespeare's theatre
by Evelyn B. Tribble
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"Shakespeare's company coped with an enormous mnemonic load, performing up to six different plays a week. How did they do it? Cognition in the Globe addresses this question through the lens of distributed cognition. This is a dynamic model that attends to the art of 'playing' at a range of levels. These include the material conditions of playing space; artifacts such as parts, plots, and playbooks; the social structures of the companies, including methods of training and coordination; internal cognitive mechanisms such as attention, perception, and memory; and actor-audience dynamics, among many others. This is the first book to offer such an approach to theatrical history and performance studies"--
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Cognition in the Globe: attention and memory in Shakespeare's theatre
2011, Palgrave Macmillan
in English
0230110851 9780230110854
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- Created November 30, 2010
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| January 5, 2023 | Edited by MARC Bot | import existing book |
| December 23, 2022 | Edited by MARC Bot | import existing book |
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| November 30, 2010 | Created by ImportBot | Imported from Library of Congress MARC record |