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Book Details
Table of Contents
Foreword
Theorizing contemporary American drama: fractured plots, fragmented in time, in space
(Post)modern feminism on the Broadway stage: Rachel Crothers and Wendy Wasserstein
Six degree of separation: Philip Barry's mimetic holiday and John Guare's performative postmodernism
Oleanna and The children's hour: misreading sexuality on the realistic stage
The language of (post)modernist tragedy: Desire under the elms and Buried child
Eugene O'Neill and August Wilson: comings and goings between past and present
Magic realism: staging the invisible in (post)modern drama
Conclusion-staging a new world.
Edition Notes
Includes bibliographical references and index.
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- Created July 22, 2011
- 6 revisions
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February 24, 2024 | Edited by ImportBot | import existing book |
January 5, 2023 | Edited by MARC Bot | import existing book |
September 25, 2020 | Edited by MARC Bot | import existing book |
June 20, 2012 | Edited by LC Bot | import new book |
July 22, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |