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"This book uses clinical psychoanalytic theory to illustrate how early British Gothic fiction reveals undercurrents of psychopathological behavior. Chapters consider the division of the Gothic novel; how early British Gothic romance parallels Freud's notion; the genre's origins in Walpole's The Castle of Otranto; sexual differentiation; Ann Radcliffe; Matthew Lewis; and the confusion between self and other"--Provided by publisher.
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Subjects
Psychology, Pathological, in literature, Gothic fiction (Literary genre), English, Psychoses in literature, Psychoanalysis and literature, History and criticism, Neuroses in literature, Deviant behavior in literature, Gothic fiction (literary genre), history and criticism, English fiction, history and criticismShowing 1 featured edition. View all 1 editions?
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The psychopathology of the Gothic romance: perversion, neuroses and psychosis in early works of the genre
2010, McFarland & Co., Publishers
in English
0786447710 9780786447718
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Book Details
Table of Contents
Introduction: the gothic on the couch
The two-headed gothic monster
Retrospective fantasy and the uncanny structure of gothic romance
Horace Walpole and the perverse origins of the gothic romance
Sexual difference and the gothic sublime
Ann Radcliffe and the gothic terror of hysteria
Matthew Lewis and the gothic horror of obsessional neurosis
Conclusion: James Hogg, the psychotic doppelgänger, and the foreclosure of the gothic.
Edition Notes
Includes bibliographical references (p. 169-203) and index.
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- Created July 23, 2011
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January 3, 2023 | Edited by MARC Bot | import existing book |
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July 23, 2011 | Created by LC Bot | Imported from Library of Congress MARC record |