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"With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth-century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government."--[book cover]
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A critical history of new music in China
2010, Chinese University Press
in English
9629963604 9789629963606
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Table of Contents
Introduction: New music in China and its theoretical foundations
The origins of new music (1885-1919): the westernisation of military music and the birth of schoolsong
New music in the May fourth period (1919-1937)
The mass singing movement and musical creation in the anti-Japanese war period (1937-1945)
New music education and creation during the Civil War (1946-1949) and in the seventeen years after the founding of the People's Republic of China (1949-1966)
Yangbanxi and the music of the Cultural Revolution (1966-1979): revolutionary modern Peking opera, ballet, symphonic music and songs
Musical creation after the Cultural Revolution and New Wave music
New music and composers in Taiwan, Hong Kong and Macao
Review and reflection: historical review (1885-1985) and the Sinicisation and modernisation of new music
New development (1996-2006): mainland China, overseas, Taiwan and Hong Kong.
Edition Notes
Includes bibliographical references and index.
Text in English translated from Chinese.
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