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Holman relates Richard Rome's development as a sculptor to the changing scene of sculptural practice, from the constrasting traditions of modernism and the figurative, through the influences of New Generation sculpture in the mid-1960s and the onslaught of conceptualism and minimalism at the end of the decade.
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Includes bibliographical references (p. 87).
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- Created May 23, 2012
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August 21, 2024 | Edited by MARC Bot | import existing book |
December 23, 2022 | Edited by MARC Bot | import existing book |
September 25, 2020 | Edited by MARC Bot | import existing book |
May 23, 2012 | Created by LC Bot | Imported from Library of Congress MARC record |