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Spanning some thirty years, Luc Tuymans exhibition, Intolerance, speaks to certain abiding preoccupations the Belgian painter has long mined in counterpoint with a rapidly changing world. Well aware from the outset of his career that painting as an art-form was widely considered in crisis and that the role and ubiquity of the image in contemporary culture was radically shifting as a consequence of proliferating technological developments, Tuymans adopted a contestatory position. In a contrarian move, painting became for him a vehicle through which the most urgent and volatile issues, whether relating to history, identity, nationalism and belief, or to head-line social and political events could be eloquently probed. Organized around key thematics in Tuymans stringent practice, this ambitious retrospective will cast new light on his singular trajectory.
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Subjects
Interviews, Belgian Painting, Exhibitions, Painting, belgian, Belgian ArtPeople
Luc Tuymans (1958-)Times
20th century, 21st centuryShowing 1 featured edition. View all 1 editions?
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Book Details
Edition Notes
Published on the occasion of an exhibition organized by Qatar Museums at QM Gallery Al Riwaq, Doha, October 18, 2015 - January 30, 2016.
Includes bibliographical references.
Classifications
The Physical Object
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- Created July 19, 2019
- 4 revisions
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December 20, 2022 | Edited by MARC Bot | import existing book |
October 11, 2020 | Edited by ImportBot | import existing book |
August 4, 2020 | Edited by ImportBot | import existing book |
July 19, 2019 | Created by MARC Bot | Imported from marc_openlibraries_sanfranciscopubliclibrary MARC record |