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This collection provides an analysis of the modern performance of ancient Greek drama from a theoretical perspective.
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Theorising performance: Greek drama, cultural history and critical practice
2010, Duckworth
in English
0715638262 9780715638262
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Table of Contents
Towards a theory of performance reception -- Edith Hall
Performance as event :
reception as transformation -- Erika Fischer-Lichte
Greek and Shakespearean plays in performance :
their different academic receptions -- David Wiles
Cultural history and aesthetics :
why Kant is no place to start reception studies -- Simon Goldhill
Performance, reception, aesthetics :
or why reception studies need Kant -- Charles Martindale
From à la carte to convergence :
symptoms of interdisciplinarity in reception theory -- Zachary Dunbar
Archiving events, performing documents :
on the seductions and challenges of performance archives -- Pantelis Michelakis
Bringing together nature and culture :
on the uses and limits of cognitive science for the study of performance reception -- Felix Budelmann
Does a Deleuzean philosophy of radical physicality lead to the 'death of tragedy'? :
some thoughts on the dismissal of the climactic orientation of Greek tragedy -- Freddy Decreus
Generic ambiguity in modern productions and new versions of Greek tragedy -- Helene Foley
Revising 'authenticity' in staging ancient Mediterranean drama -- Mary-Kay Gamel
Towards theorising the place of costume in performance reception -- Rosie Wyles
Performance reception and the 'textual twist' :
towards a theory of literary reception -- Simon Perris
Negotiating translation for the stage -- Lorna Hardwick
From translation to performance reception :
the death of the author and the performance text -- Eleftheria Ionnidou
Acting perspectives :
the phenomenology of performance as a route to reception -- Jane Montgomery Griffiths
Physical performance and the languages of translation -- Stephe Harrop
'Spatial poetics' and Greek drama :
scenography as reception -- Paul Monaghan
Translating Greek drama for performance -- Blake Morrison.
Edition Notes
"Inspired by a conference held at the Archive of Performances of Greek & Roman Drama (APGRD) in Oxford"--Page 4 of cover.
Includes bibliographical references and index.
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