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His grotesque and satirical paintings of the 1920s have long been entrenched in the public consciousness. But what were Otto Dix's (1891-1969) thoughts beyond the realms of art, and what were his opinions? In contrast to his fellow artists Paul Klee, Max Beckmann and George Grosz, the artist did not publish texts or author books. This makes access to his personal correspondence from the previously unpublished letters in his estate all the more valuable. A selection of more than one thousand documents provides a direct take on the social circumstances of his time.
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Subjects
Art, Art and the war, Art collections, Berlinische Galerie, Catalogs, Catalogues raisonnés, Criticism and interpretation, Etching, German, Exhibitions, Galerie der Stadt Stuttgart, German Etching, Kunstsammlung Gera, Portraits, Prints, Städtische Galerie Albstadt, War (Print cycle), War in art, World War, 1914-1918, Zeppelin-Museum, Arts, OUR Brockhaus selection, Germany, History of art & design styles: from c 1900 -, Individual artists, Painting & paintings, Subjects & Themes - Portraits, Drawing By Individual Artists, Individual Painters - 20th Century, Art & Art Instruction, Techniques - Drawing, Individual Artist, Art / Individual Artist, Painting, Drawing, german, Painters, germany, Grafik, Ausstellung, Correspondence, Artists, Pictorial works, Private collections, Malerei, ZeichnungTimes
20th centuryShowing 53 featured editions. View all 53 editions?
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Includes bibliographical references.
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The Physical Object
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- Created November 12, 2020
- 2 revisions
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December 21, 2022 | Edited by MARC Bot | import existing book |
November 12, 2020 | Created by MARC Bot | Imported from Library of Congress MARC record |