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This book is about women writers writing Self-Elegy. That is, they write elegies for themselves as if they were already dead when they were writing-- though of course they're still alive when writing their self-elegies! The book asks why self-elegies were a popular form of writing for a few important women writers in England and America in the 19th and 20th centuries. The book focuses on Emily Dickinson, Emily Bronte, and Sylvia Plath, with some chapters on Mary Shelley's novella Matilda, and Christina Rossetti.
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Subjects
American poetry, Death in literature, English fiction, Feminism in literature, History, History and criticism, Women and literature, Women authors, English fiction, women authors, English fiction, history and criticism, 19th century, American poetry, women authors, American poetry, history and criticism, Femmes et littérature, Histoire, Mort dans la littérature, Féminisme dans la littérature, LITERARY CRITICISM, European, English, Irish, Scottish, WelshPeople
Sylvia Plath, Emily Dickinson, Emily BrontePlaces
England, United StatesTimes
19th and 20th centuryShowing 3 featured editions. View all 3 editions?
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1
Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath
2016, Taylor & Francis Group
in English
1351883666 9781351883665
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2
Posthumous Voice in Women's Writing from Mary Shelley to Sylvia Plath
2016, Taylor & Francis Group
in English
1351883674 9781351883672
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3
The posthumous voice in women's writing from Mary Shelley to Sylvia Plath
2006, Ashgate, Routledge
in English
0754655350 9780754655350
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Book Details
Edition Notes
Includes bibliographical references (p. ) and index.
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- Created April 1, 2008
- 10 revisions
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April 9, 2023 | Edited by ImportBot | import existing book |
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April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |