Caravaggio's secrets
by Leo Bersani
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Many critics have explored the homoerotic message in the early portraits of the baroque painter Michelangelo Caravaggio (1573-1610). In Caravaggio's Secrets, Leo Bersani and Ulysse Dutoit emphasize instead the impenetrability of these portraits. The tension between erotic invitation and self-concealing retreat leads Bersani and Dutoit to conclude that the interest of these works is in their representation of an enigmatic address that solicits intimacy in order to block it with a secret.
Bersani and Dutoit offer a psychoanalytic reading of the enigmatic address as initiating relations grounded in paranoid fascination. They study Caravaggio's attempts to move beyond such relations, his experiments with a space no longer circumscribed by the mutual and paranoid, if erotically stimulating, fascination with imaginary secrets.
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Edition Notes
Includes bibliographical references and index.
"An October book."
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- Created April 1, 2008
- 15 revisions
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| July 14, 2024 | Edited by MARC Bot | import existing book |
| November 28, 2020 | Edited by MARC Bot | import existing book |
| October 10, 2020 | Edited by ImportBot | import existing book |
| August 4, 2020 | Edited by ImportBot | import existing book |
| April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record |