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"When Anthony Blunt died in 1983 be was a man about whom almost anything could be - and was - said. He was accused of everything from causing the death of Allied agents during the war to conspiring to suppress the reputation of British art; from blackmailing the Royal Family to paedophilia. He was a blank screen on which fantasy and delusion were projected.".
"Anthony Blunt: His Lives reveals the man behind the myths and rumours: aesthete, communist, homosexual, spy. As Surveyor of the Queen's Pictures and Director of the Courtauld Institute, Blunt's position as a stellar member of the Establishment had seemed utterly assured. But, in 1979, Margaret Thatcher exposed him as a former Soviet spy, and Blunt was stripped of his knighthood and became a figure of universal opprobrium."--BOOK JACKET.
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Subjects
Gay men, Art historians, Soviet Espionage, Kunsthistorici, Spies, Spionnen, Biography, History, Moles (Spies), New York Times reviewed, Spionage, Espionage, Great britain, biography, Great britain, history, 20th centuryPeople
Anthony Blunt (1907-1983)Places
Great BritainTimes
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Anthony Blunt: His Lives
January 15, 2002, Farrar, Straus and Giroux
in English
0374105316 9780374105310
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Anthony Blunt: His Lives
October 11, 2002, Pan Books
Paperback
in English
- New Ed edition
0330367668 9780330367660
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Anthony Blunt: his lives
2001, Farrar, Straus, and Giroux
in English
- 1st American ed.
0374105316 9780374105310
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Book Details
Edition Notes
"Originally published in 2001 by Macmillan, United Kingdom"--T.p. verso
Includes bibliographical references (p. 556-563) and index.
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Work Description
Anthony Blunt, aesthete, communist, homosexual, MI5 agent and Soviet mole, was Surveyor of the King's Pictures and Director of the Courtauld Institute. Betrayed in 1963, he voted for Margaret Thatcher in 1979. Late that year, she was to expose his treachery and strip him of his knighthood. While the other Cambridge spies (Philby, Burgess and Maclean) subordinated their lives and careers to espionage, Blunt had a separate passionate existence. His reputation as an art historian was second to none: he made an enormous contribution to the establishment of art history as an academic discipline; his volumes on Poussin, French and Italian art and old master drawings are still in print and some are still set texts. At the Courtauld he trained a whole generation of world-class academics and curators. A human paradox, Blunt was a highly-regarded member of the British intelligentsia but his life as such and as a member of the British homosexual subculture of the 30s, 40s and 50s has hardly been explored. Miranda Carter's biography shows how his life vividly illustrates certain key themes and moments of the 20th century. Blunt led two totally discrete lives, he was a set of permanent contradictions.
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