The relation between nineteenth-century compositions and Palestrina's music presents an intractable aesthetic problem: how were composers and their audiences able to reconcile the compositional use of the music of the past with the Romantic imperatives of originality, authenticity and contemporaneity?
An edition of Palestrina and the German Romantic Imagination
(2002)
Palestrina and the German Romantic Imagination
Interpreting Historicism in Nineteenth-Century Music
by James Garratt
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1
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music
2009, Cambridge University Press
in English
0511481799 9780511481796
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2
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music
2005, Cambridge University Press
in English
0511029179 9780511029172
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Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music
2002, Cambridge University Press
in English
0511044461 9780511044465
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4
Palestrina and the German Romantic Imagination: Interpreting Historicism in Nineteenth-Century Music (Musical Performance and Reception)
August 12, 2002, Cambridge University Press
Hardcover
in English
0521807379 9780521807371
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