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On the eve of the Women's Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace the seat of federal executive power in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, protect the heritage of all Mexicans and avoid confrontation a wall of peace that guarantees liberty and protection from provocations,ʺ in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them. This series of photographs documents the barricades that were intervened in those days so that they may still be read. An homage, a scream of rebellion in the face of indifference and obsoletion
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Subjects
Artistic Photography, Feminism in art, International Women's Day, Artists' books, Specimens, Photobooks, Women, Pictorial works, Crimes against, Photography of womenPeople
Anai Tirado MirandaPlaces
Mexico City (Mexico)Times
21st centuryShowing 2 featured editions. View all 2 editions?
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Publish date unknown, Gato Negro Ediciones
in Spanish
- Primera edición.
6079876388 9786079876388
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Book Details
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Risograph printed
Exposed stitched binding (Japanese bookbinding)
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- Created December 9, 2022
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December 9, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |