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"Postmodernism and the Politics of 'Culture' is a comparative critical analysis of the political and intellectual ambitions of postmodernist critical theory and the academic discipline of cultural studies. Katz's polemical aim is to show that cultural studies comes up short in both areas, because its practitioners focus on too-narrow issues-primarily, celebrating the folkways of micro-communities-while denying the very possibility of studying, understanding, and changing society in any comprehensive way and to any universally beneficial purpose. He argues that scholars and activists alike would do well to make use of the analytical tools of postmodernist critical theory, whose practitioners acknowledge the political significance of the differences between social groups, but do not consider them to be unbridgeable, and so seek to develop a set of practices for creating a truly inclusive, truly democratic public sphere."--Provided by publisher.
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Subjects
Politics and culture, Culture, Study and teaching, PostmodernismEdition | Availability |
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1
Postmodernism and the Politics Of 'Culture'
2018, Taylor & Francis Group
in English
0429977751 9780429977756
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2
Postmodernism and the Politics Of 'Culture'
2018, Taylor & Francis Group
in English
0429966679 9780429966675
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3
Postmodernism And The Politics Of 'Culture'
2018, Taylor and Francis
in English
- First edition.
0429498128 9780429498121
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4
Postmodernism and the Politics of 'Culture'
November 1, 2000, Westview Press
Paperback
in English
0813368073 9780813368078
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"Postmodernism and the Politics of "Culture" is a sustained critique of contemporary cultural studies and its theoretical underpinnings. The book situates texts and arguments of cultural studies in relation to symptomatic critiques of leading post-modern theorists such as Derrida, Foucault, Lyotard, and Baudrillard. Katz explains how the politics of resistance to closure has reduced cultural studies to a new form of liberalism.
Furthermore, Postmodernism and the Politics of "Culture" addresses the mode in which cultural studies constitutes and reproduces itself along with its objects, showing that the same logic of heterogeneity and subversion cultural studies located in the "popular" also serves to present cultural studies itself as a (post) discipline immune to structural critique.
In the process, Postmodernism and the Politics of "Culture" joins the argument in defense of Marxist categories such as "totality," "ideology," and "contradiction." It also resituates classical Marxism on the terrain of global capitalism, challenging the conclusions drawn by most contemporary theorists from phenomena such as hyper-reality and simulacral politics, and questioning the progressive credentials of now canonical concepts such as undecidability and performativity."--BOOK JACKET.
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