The editorial project documents the artisanal photography resulting from 4 excursions of experimentation with a stenopeic camera in the archaeological sites of Chavín, Kotosh, Kuntur Wasi and Cerro Ventarrón. The aim was to establish a relationship between archaeology, pinhole (Estenopeic) photography and cameraless photography -chemigram and frame processes- inviting the children that live in the vicinity of the four monumental "huacas" (located in Cajamarca, Huánuco, Lambayeque and Ancashto) to discover light as a sensory experience using the same artisanal techniques from the beginnings of photography and cinema