An edition of The new iconoclasts (2016)

The new iconoclasts

from art of a new reality to conceptual art in Colombia, 1961-1975

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The new iconoclasts
Gina McDaniel Tarver
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Last edited by MARC Bot
December 19, 2022 | History
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An edition of The new iconoclasts (2016)

The new iconoclasts

from art of a new reality to conceptual art in Colombia, 1961-1975

by

  • 0 Ratings
  • 0 Want to read
  • 0 Currently reading
  • 0 Have read

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Publish Date
Publisher
Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Arte, Ediciones Uniandes
Language
English
Pages
341

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Subjects
Colombian Art, Conceptual art
Places
Colombia
Times
20th century

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Edition Availability
Cover of: The new iconoclasts
The new iconoclasts: from art of a new reality to conceptual art in Colombia, 1961-1975
2016, Universidad de los Andes, Facultad de Artes y Humanidades, Departamento de Arte, Ediciones Uniandes
in English
  • Not in Library
Libraries near you: WorldCat

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Book Details

Table of Contents

Introduction
Intrepid Iconoclasts
Coming to Terms with Similarities and Differences
Ambitious Institutions and Their Strategies for Development
Tacties from "Underdevelopment"
Partieipation as a Sign of the Time
Shaping a History
Chapter. I. Art for a new realityJunk Art
Mina Traba and the Modern Art Museum of Bogotá
Re-recreating Art
The Sajan of Young Artists
Male Junk
Artistic Suicide
A Venerable Institution in Changing limes
Competitions and Controversies
A Failed Monument and a "Violent Declaration"
Historical Transgressions
Chapter 2. The art of expansionCreating Hysteria
A Biennial for Colombia
Space Invaders
An Art of Environments
Light. Sound. Movement Minimachines
The Basic Elements of Art
Art Criticism and Art-pia Closures
Chapter 3. New iconoclasm and international exhlbitions
The Pile that Became a Mountain
II Coltejer Art Biennial
An International Graphic Arts Exhibition
Salcedo and the Center of Art and Communication
The Graphic Arts Biennial
III Coltejer Art Biennial
Systems Art at the Biennial and Beyond
Other Biennials and Obstacles
The Limits of Internationalism
Chapter 4. Text-image works and critical messages
The Puddle that Became a Flood
A Punitive Exhibition
What the Eye Doesn't See
A list of Charges
Salon Showdown: The National vs. The Independent
The Art of Critical Recuperation
Bite of the Paper Tigers
Where There's Smoke, There's Marlboro
Dide the Galleries
0uIside the Box
Sweet Nothings
Ambivalence
Conclusion
A new norm?.

Edition Notes

Bibliography: p. 313-341.

In Spanish.

Published in
Bogotá
Other Titles
From art of a new reality to conceptual art in Colombia, 1961-1975

The Physical Object

Pagination
lxii, 341 pages
Number of pages
341

ID Numbers

Open Library
OL44446028M
ISBN 10
9587742907
ISBN 13
9789587742909
OCLC/WorldCat
952505162

Source records

marc_columbia MARC record

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December 19, 2022 Created by MARC Bot Imported from marc_columbia MARC record