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'What makes this an extraordinary play is that Pinter both corrals his familiar themes - the subjectiveness of memory, the unknowability of one's lifelong partner, the gap between the certain present and the uncertain past - and extends his territory. He shows, with unflinching candour, that in an age shorn of systems and beliefs we face 'death's dateless date' in a state of mortal terror.' Guardian.
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Fathers and sons, DramaShowing 1 featured edition. View all 1 editions?
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Previously issued in print: New York: Grove Press, 1994.
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- Created December 20, 2022
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December 20, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |