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Basquiat first came to prominence when he collaborated with Al Diaz to spray-paint enigmatic statements under a pseudonym. He went on to work on collages, Xerox art, postcards, performances, and music before establishing his reputation as one of the most important painters of his generation. Accompanying a major exhibition at the Barbican Art Gallery, this book opens with introductory essays from the curators, which place his practice in a wider art historical context and look at his career through the lens of performance. Six thematic chapters offer new research, with essays from poet Christian Campbell; curator Carlo McCormick on New York/New Wave; writer Glenn O'Brien on the downtown scene; academic Jordana Moore Saggese on Basquiat's relationship to film and television; and music scholar Francesco Martinelli on Basquiat's obsession with jazz.
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Subjects
Abstract expressionism, Exhibitions, Street art, Criticism and interpretation, American Painting, Modern Painting, African American painters, Themes, motives, History, Basquiat, jean-michel, 1961-1988, Art, american, Art, modern, 20th century, exhibitions, Interviews, ART / Collections, Catalogs, Exhibitions, Art and DesignPlaces
New York (State), New YorkTimes
20th centuryShowing 5 featured editions. View all 5 editions?
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Basquiat: New York City : opere dalla Mugrabi Collection
2017, Skira
in Italian
8857235866 9788857235868
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Book Details
Edition Notes
Catalog of an exhibition held at the Chiostro del Bramante, Rome, Italy, March 24-July 2, 2017.
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- Created December 20, 2022
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December 27, 2023 | Edited by Tom Morris | merge authors |
December 20, 2022 | Created by MARC Bot | Imported from marc_columbia MARC record |