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"In this study of Woolf's relationship to Bloomsbury and the aesthetic and philosophical developments of her time, Ann Banfield subjects that influence to its first full treatment. The theory of knowledge Moore and Russell formulated, Banfield argues, profoundly affected Woolf's conception of reality, as it did Roger Fry's theory of Post-Impressionism, one source for Woolf's transformations of philosophical principles into aesthetic ones.
The Phantom Table is a magisterial account of Woolf's engagement with this remarkable trinity of thinkers: Moore, Russell, Fry. It radically revises the epistemology of modernism, reconceiving the relation between realism and formalism to account for Woolf's dual reality of sense impressions and logical forms."--BOOK JACKET.
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Subjects
Aesthetics, British, Bloomsbury group, British Aesthetics, Cambridge Apostles (Society), Great Britain, Influence, Knowledge, Theory of, in literature, Modernism (Literature), Philosophy, Philosophy in literature, Reality in literature, Literature, history and criticism, HistoryPeople
Bertrand Russell (1872-1970), G. E. Moore (1873-1958), Roger Eliot Fry (1866-1934), Virginia Woolf (1882-1941)Places
Great BritainShowing 2 featured editions. View all 2 editions?
Edition | Availability |
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1
The Phantom Table: Woolf, Fry, Russell and the Epistemology of Modernism
February 26, 2007, Cambridge University Press
Paperback
in English
- New Ed edition
0521034035 9780521034036
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2
The phantom table: Woolf, Fry, Russell, and epistemology of modernism
2000, Cambridge University Press
in English
0521773474 9780521773478
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Book Details
Edition Notes
Includes bibliographical references (p. 415-426) and index.
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- Created April 1, 2008
- 10 revisions
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