An edition of Geest en gratie
(2012)
Geest en gratie
essays presented to Ildikó Ember on her seventieth birthday
by Orsolya Radványi
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Geest en gratie: essays presented to Ildikó Ember on her seventieth birthday
2012, Zsépművészeti múzeum
in English, Dutch, and German
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Table of Contents
On Coorte's Still life with two walnuts / Quentin Buvelot
A partridge by Abraham van Calraet (1642-1722) in Budapest / Fred G. Meijer
The Beatified martyrs of Gorcum: a series of paintings by David Teniers the Younger and Wouter Gysaerts / Júlia Tátrai
Blumenbuketts in Prunkvasen. Frans Francken II, Andries Daniels, Philips de Marlier / Ursula Härting
Still lifes by Abraham van Beijeren in the former collection of Marcell Nemes / István Németh
"... Nach dem Tegst gerichtet, ohne das Kunst mesige fallen zu lasen": still life and trompe-l'oeil elements in Late Baroque ceiling painting / János Jernyei Kiss
Harmen de Bye / Rudi Ekkart
Not Govaert Flinck, but Jacob Backer: the resurfaced Portrait of Cornelis de Graeff / Peter van den Brink
Portrait of an Oriental and its story: a short report / Ingrid Ciulisová
The art of painting by Martin Mijtens the Elder / Görel Cavalli-Björkman
"Dass Man wahre Natur zu rrblicken glaubte". Anton Graff - ein Bildnismaler zwischen Abbild und Vorbild. Zu drei Selbstbildnissen in der Dresdener Gemäldegalerie / Harald Marx
Bemerkungen zu Joachim von Sandrarts Bildnis des Ottavio Piccolomini mit seinem Adjutanten Hans Christoph Ranfft / Hana Seifertová.
A portrait of Christian Wermuth in the Zsépművészeti múzeum / AnnaMária Gosztola
With Emanuel de Witte in the Oude Kerk in Amsterdam / Gary Schwartz
A Panormaic view of Amersfoort attributed to Joost de Volder / George S. Keyes
Dutch art and artists in seventeenth-century Sweden / Karin Sidén
The Avignon type of the Virgin of Humility: examples in Siena / Dóra Sallay
Cupid, Salomon and Sheba (Piero della Francesco, Arezzo) / Anna Eörsi
A newly found Pontormo invention and the old questions / Vilmos Tátrai
Appendix: Some remarks on the provenance of the Madonna discussed in Vilmos Tátrai's article / Axel Vécsey
German drawings with the inscription "Roma 1591" / Szilvia Bodnár
A royal picture: the provenance of Girolamo Bedoli's Budapest Holy family / Axel Vécsey
Two festival designs from the workshop of Jacopo Strada / Zoltán Kárpáti
Recently attributed seventeenth century Neapolitan paintings in Hungary / Éva Nyerges
A newly identified painting by Denys Calvaert / Andrea Czére.
Acquisitions by Arnold Ipolyi from the Johann Friedrich Fromm collecion in Cologne. On the provenance of some German and Netherlandish paintings in the Christian Museum in Esztergom / Ágota Varga
A Delacroix drawing in the possession on Liszt: Hamlet and Horatio in the graveyard and nineteenth-century Hamlet reception / Imre Kovács
"Le sujet ne signifie rien": Paul Cézanne's Peasant family at home, and the Ostade picture in Budapest / Judit Geskó
Van Doesburg versus Mondrian: the role of their different views on space in the disintegration of the Stijl group / Mariann Gergely.
Edition Notes
Includes bibliographical references and bibliography of the works of Ildikó Ember.
Chiefly English, with a few contributions in Dutch or German.
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