An edition of Passport to Paris (1955)

Passport to Paris.

[1st ed.]
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Last edited by MARC Bot
September 19, 2020 | History
An edition of Passport to Paris (1955)

Passport to Paris.

[1st ed.]
  • 4 Want to read

Autobiographical account by the Russian born composer Vladmir Dukelsky, who in the middle 1930s became better known as Vernon Duke, writer of songs for stage and screen. Duke recounts his earliest, privileged years in Russia, his musical exposure and education, the haunting memories of his father's death, the generous spirit and strength of his mother and the nightmarish few years of suffering during the revolution of 1917, which eventually forced the family from their homeland for good in 1920.

Duke follows with accounts of his extensive travel in Europe and the US, the development of his conflicting musical leanings, details of the origins of his compositions and how they fared in their respective arenas, and his wide range of intimate friends and colleagues in both musical realms in which he became accomplished: Diaghilev, Prokofiev, Koussevitsky, Massine, Balanchine, the Gershwins, Ogden Nash, Larry Hart and countless others. Duke recounts his repeated, deeply painful heartbreaks over failed relationships, his years of service in the United States Coast Guard during WWII and follows with an honest, often indignant, assessment of his subsequent failures on the American stage. His final chapter reveals a happy, final relocation to California, where both his creative and personal lives slowly become simpler and more focused.

Personally self-effacing, professionally self-important, and ever loyal to his family, friends and musical roots and ideals, Vernon Duke paints a direct and highly literate picture of a determined, born artist who possessed perhaps too many gifts.

Publish Date
Publisher
Little, Brown
Language
English
Pages
502

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Edition Availability
Cover of: Passport to Paris.
Passport to Paris.
1955, Little, Brown
in English - [1st ed.]

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Book Details


First Sentence

"According to Who's Who, I have spent my "entire career" (come, come, I'm still spending it) writing two kinds of music: the serious or unrewarding kind as Vladimir Dukelsky and the unserious but lucrative variety as Vernon Duke."

Table of Contents

I. I Emerge
Page 3
II. To Music
Page 18
III. Kiev Conservatory
Page 33
IV. Came the Revolution
Page 42
V. Odessa
Page 58
VI. Turkish Delight
Page 67
VII. The Bad Old Days
Page 81
VIII. Passport to Paris
Page 106
IX. Fame Did Not Delay
Page 133
X. Bright Young People
Page 155
XI. After the Ballet Is Over
Page 180
XII. Back to the New Country
Page 219
XIII. Settling Down
Page 250
XIV. The Good Years
Page 281
XV. In My Thirties in the Thirties
Page 318
XVI. The Fiery Forties - Part One
Page 368
XVII. The Fiery Forties - Part Two
Page 395
XVIII. Paris Interlude
Page 430
XIX. Californian Coda
Page 458

Edition Notes

Autobiographical.

Published in
Boston

Classifications

Dewey Decimal Class
927.8
Library of Congress
ML410.D87 A3

The Physical Object

Pagination
502 p.
Number of pages
502

ID Numbers

Open Library
OL6154838M
LCCN
54008311
OCLC/WorldCat
1204540

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History

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September 19, 2020 Edited by MARC Bot import existing book
April 14, 2010 Edited by Open Library Bot Linked existing covers to the edition.
December 14, 2009 Edited by WorkBot link works
August 25, 2009 Edited by an anonymous user Edited without comment.
April 1, 2008 Created by an anonymous user Imported from Scriblio MARC record