On March 18, 1956, five months after his first reading of "Howl" at the Six Gallery in San Francisco, Allen Ginsberg took center stage at the Berkeley Town Hall.
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August 4, 2010 | History
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Previews available in: English
Subjects
History and criticism, Religion, Beat generation, Religious poetry, American, Religion and literature, Influence, Religious fiction, American, American literature, Visions in literature, Apocalyptic literature, History, American Religious fiction, American Religious poetryPeople
William S. Burroughs (1914-), Jack Kerouac (1922-1969), Allen Ginsberg (1926-), Oswald Spengler (1880-1936)Times
20th centuryShowing 2 featured editions. View all 2 editions?
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1
The bop apocalypse: the religious visions of Kerouac, Ginsberg, and Burroughs
2001, University of Illinois Press
in English
0252025997 9780252025990
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2
The Bop Apocalypse: The Religious Visions of Kerouac, Ginsberg, and Burroughs
November 15, 2000, University of Illinois Press
Hardcover
in English
0252025997 9780252025990
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Book Details
Table of Contents
Introduction: The Tradition of subversion
"America, when will your cowboys read Spengler?": Anxiety and influence in postwar America
Sex, drugs, and theology: The Spenglerian strain of piety
"No time for poetry but exactly what is": The Utopia of Beat language
"Storming the reality studios": Beat remythologies
Conclusion: The Seduction of tradition.
Edition Notes
Includes bibliographical references (p. 295-310) and index.
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August 4, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
October 22, 2009 | Edited by WorkBot | add edition to work page |
April 1, 2008 | Created by an anonymous user | Imported from Scriblio MARC record. |