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What is the nature of theatre's uneasy alliance with literature? Should theatre be viewed as a preliterate, ritualistic phenomenon that can only be compromised by writing? Or should theatre be grouped with other literary arts as essentially "textual," with even physical performance subsumed under the aegis of textuality?
Jennifer Wise, a theatre historian and drama theorist who is also an actor, director, and designer, responds with a challenging and convincing reconstruction of the historical context from which Western theatre first emerged.
Wise believes that a comparison of the performance style of oral epic with that of drama as it emerged in sixth-century Greece shows the extent to which theatre was influenced by literate activities relatively new to the ancient world.
These activities, foreign to Homer yet familiar to Aeschylus and his contemporaries, included the use of the alphabet, the teaching of texts in schools, the public inscription of laws, the sending and receiving of letters, the exchange of city coinage, and the making of lists. Having changed the way cultural material was processed and transmitted, the technology of writing also led to innovations in the way stories were told, and Wise contends that theatre was the result.
The art of drama appeared in ancient Greece, however, not only as a beneficiary of literacy but also in defiance of any tendency to see textuality as an end in itself.
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Previews available in: English
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1
Dionysus Writes: The Invention of Theatre in Ancient Greece
2019, Cornell University Press
in English
1501744941 9781501744945
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Dionysus Writes: The Invention of Theatre in Ancient Greece
October 2000, Cornell University Press
Paperback
in English
0801486939 9780801486937
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Dionysus writes: the invention of theatre in ancient Greece
1998, Cornell University Press
in English
0801434599 9780801434594
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Includes bibliographical references p. [239-257] and index.
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