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Last edited by IdentifierBot
August 5, 2010 | History
Director and filmmaker of Silent Movies who later worked in America, Sergei Eisenstein discusses the idea of montage in Russian Film and its compositional differences with films of D. W. Griffith
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Book Details
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"IT IS interesting to retrace the different paths of today's cinema workers to their creative beginnings, which together compose the multi-colored background of the Soviet cinema."
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- Created April 29, 2008
- 6 revisions
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August 5, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 16, 2010 | Edited by bgimpertBot | Added goodreads ID. |
April 14, 2010 | Edited by Open Library Bot | Linked existing covers to the edition. |
April 29, 2008 | Created by an anonymous user | Imported from amazon.com record |