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In this first major study of its kind, Suzanne Preston Blier examines the artworks of the contemporary vodun cultures of southern Benin and Togo in West Africa as well as the related vodou traditions of Haiti, New Orleans, and historic Salem, Massachusetts.
Comprised of beads, bones, rags, straw, leather, pottery, fur, feathers, and blood, and often tightly bound with cords, vodun artworks yield a wide range of insights into the provocative workings of emotional expression, power, and artistic representation. The power of these objects, which can be either figural sculptures, [actual symbol not reproducible], or nonfigural works known as bo, lies not only in their aesthetic, and counteraesthetic, appeal but also in their psychological and emotional effect.
As objects of fury and force, these works are intended to protect and empower people and cultures that, in both precolonial and postcolonial periods, have long lived in threat of war, enslavement, disease, malnutrition, and violent death.
Blier employs a variety of theoretically sophisticated psychological, anthropological, and art historical approaches to explore the contrasts inherent in the vodun arts - commoners versus royalty, popular versus elite, "low" art versus "high." She examines the relation between art and the slave trade, the psychological dynamics of artistic expression, the significance of the body in sculptural expression, and indigenous perceptions of the psyche and its corollaries in art.
Throughout, Blier pushes African art history to a new height of cultural awareness that recognizes the complexity of traditional African societies as it acknowledges the role of social power in shaping aesthetics and meaning generally.
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Previews available in: English
Edition | Availability |
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1
African Vodun: Art, Psychology, and Power
December 1, 1996, University Of Chicago Press
in English
0226058603 9780226058603
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2
African vodun: art, psychology, and power
1995, University of Chicago Press
in English
0226058581 9780226058580
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Book Details
First Sentence
"Between 1710 and 1810 over a million slaves (principally of Fon, Aja, Nago, Mahi, Ayizo, and Gedevi descent) were exported on English, French, and Portuguese vessels out of the Bight of Benin and what was then called the Slave Coast of Africa (Curtin 1969:228; Manning 1982:335) (fig. 16)."
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June 17, 2022 | Edited by ImportBot | import existing book |
April 30, 2011 | Edited by OCLC Bot | Added OCLC numbers. |
August 5, 2010 | Edited by IdentifierBot | added LibraryThing ID |
April 24, 2010 | Edited by Open Library Bot | Fixed duplicate goodreads IDs. |
April 29, 2008 | Created by an anonymous user | Imported from amazon.com record |