An edition of Uncensored: Views & (Re)views (2005)

Uncensored

Views & (Re)views

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Last edited by OCLC Bot
April 26, 2011 | History
An edition of Uncensored: Views & (Re)views (2005)

Uncensored

Views & (Re)views

  • 0 Ratings
  • 2 Want to read
  • 0 Currently reading
  • 0 Have read

Uncensored: Views & (Re)views is Joyce Carol Oates's most candid gathering of prose pieces since (Woman) Writer: Occasions & Opportunities. Her ninth book of nonfiction, it brings together thirty-eight diverse and provocative pieces from the New York Review of Books, the Times Literary Supplement, and the New York Times Book Review.Oates states in her preface, "In the essay or review, the dynamic of storytelling is hidden but not absent," and indeed, the voice of these "conversations" echoes the voice of her fiction in its dramatic directness, ethical perspective, and willingness to engage the reader in making critical judgments. Under the heading "Not a Nice Person," such controversial figures as Sylvia Plath, Patricia Highsmith, and Muriel Spark are considered without sentimentality or hyperbole; under "Our Contemporaries, Ourselves," such diversely talented figures as William Trevor, E. L. Doctorow, Kazuo Ishiguro, Michael Connelly, Alice Sebold, Mary Karr, Anne Tyler, and Ann Patchett are examined. In sections of "homages" and "revisits," Oates writes with enthusiasm and clarity of such cultural icons as Emily Bronte, Ernest Hemingway, Carson McCullers, Robert Lowell, Balthus, and Muhammad Ali ("The Greatest"); after a lapse of decades, she (re)considers the first film version of Bram Stoker's Dracula, and Americana, Don DeLillo's first novel, as well as the morality of selling private letters and the nostalgic significance of making a pilgrimage to Henry David Thoreau's Walden Pond.Through these balanced and illuminating essays we see Oates at the top of her form, engaged with forebears and contemporaries, providing clues to her own creative process: "For prose is a kind of music: music creates 'mood.' What is argued on the surface may be but ripples rising from a deeper, subtextual urgency."

Publish Date
Publisher
Harper Perennial
Language
English
Pages
384

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Previews available in: English

Edition Availability
Cover of: Uncensored
Uncensored: Views & (Re)views
April 4, 2006, Harper Perennial
in English
Cover of: Uncensored
Uncensored: Views & (Re)views
April 4, 2006, Harper Perennial
Paperback in English
Cover of: Uncensored
Uncensored
2005, HarperCollins
Electronic resource in English
Cover of: Uncensored
Uncensored: views & (re)views
2005, Ecco
in English - 1st ed.

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Book Details


First Sentence

"WHO IN FEBRUARY 1963 COULD HAVE predicted, when a thirty-year-old American poet named Sylvia Plath committed suicide in London, distraught over the breakup of her marriage to the Yorkshire poet Ted Hughes, that Plath would quickly emerge as one of the most celebrated and controversial of postwar poets writing in English; and this in a golden era of poetry distinguished by such figures as Theodore Roethke, Marianne Moore, Elizabeth Bishop, Robert Lowell, Richard Wilbur, Allen Ginsberg, Anne Sexton, John Berryman, May Swenson, Adrienne Rich, as well as W. H. Auden and T. S. Eliot?"

The Physical Object

Format
Paperback
Number of pages
384
Dimensions
7.8 x 5.3 x 1.1 inches
Weight
9.6 ounces

ID Numbers

Open Library
OL9236205M
ISBN 10
0060775572
ISBN 13
9780060775575
OCLC/WorldCat
66465356
Library Thing
522038
Goodreads
129551

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History

Download catalog record: RDF / JSON / OPDS | Wikipedia citation
April 26, 2011 Edited by OCLC Bot Added OCLC numbers.
August 12, 2010 Edited by IdentifierBot added LibraryThing ID
April 24, 2010 Edited by Open Library Bot Fixed duplicate goodreads IDs.
April 16, 2010 Edited by bgimpertBot Added goodreads ID.
April 30, 2008 Created by an anonymous user Imported from amazon.com record