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"How should Germany commemorate the mass murder of Jews once committed in its name? In 1997, James E. Young was invited to join a German commission appointed to find an appropriate design for a national memorial in Berlin to the European Jews killed in World War II. As the only foreigner and only Jew on the panel, Young gained a unique perspective on Germany's fraught efforts to memorialize the Holocaust.
In this book, he tells for the first time the inside story of Germany's national Holocaust memorial and his own role in it." "In exploring Germany's memorial crisis, Young also asks the more general question of how a generation of contemporary artists can remember an event like the Holocaust, which it never knew directly."--BOOK JACKET.
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Previews available in: English
Subjects
Symbolism in architecture, Holocaust, Jewish (1939-1945), in art, Influence, Holocaust, Jewish (1939-1945), and architecture, Holocaust memorials, Deconstructivism (Architecture), Holocaust, Jewish (1939-1945), History, Modern Arts, Holocaust, Jewish (1939-1945), and art, New York Times reviewedEdition | Availability |
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1
At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture
April 1, 2002, Yale University Press
Paperback
in English
0300094132 9780300094138
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2
At Memory's Edge: After-Images of the Holocaust in Contemporary Art and Architecture
April 2000, Yale University Press
Hardcover
in English
0300080328 9780300080322
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Book Details
First Sentence
"IN SPITE OF THE BRILLIANT EXAMPLE of his work Nazi Germany and the jews, Saul Friedlander is still not convinced that an antiredemptory historiography of the Holocaust is possible."
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- Created April 30, 2008
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