This edition was probably the last to appear, until the historical reprints by Baillieu in 1862.

At the back of the book is printed a royal permit issued to Jean-Antoine Garnier's grandfather Pierre in 1728. Jean-Antoine himself was active from around 1766 until his death in 1780, so 1770 is a good guess for the publication of this book.

The work contains a mixture of two sets of woodcuts:
1) Copies of the Parisian cuts that had also been used by the Oudots in 1641 (this edition is also available from the Internet Archive). These copies may have originated with Noël Moreau dit le Coq, who used the set for his 1610-edition.
2) Another set of lower quality (maybe copies of the copies?). Jean-Antoine may have inherited this set from grandfather Pierre. Otherwise it's hard to see, why he would display the inferior copy on the front page.

The text is "renouvellée de vieux Gaulois, en langage le plus poli de notre temps", which is another way of saying that the text was now far removed from the original dance at St. Innocents' Cemetery of Paris. Roughly half of the lines have been rewritten.

Inside the binding at the back are a number of clippings from an unidentified edition with the original Parisian woodcuts from 1491. However only one of these has been scanned, viz. the shepherdess and the woman with crutches