| Record ID | OpenLibraries-Trent-MARCs/tier5.mrc:36339379:1057 |
| Source | OpenLibraries-Trent-MARCs |
| Download Link | /show-records/OpenLibraries-Trent-MARCs/tier5.mrc:36339379:1057?format=raw |
LEADER: 01057cam 2200313 a 4500
001 0116403056975
003 DLC
005 19940105112039.3
008 930129s1994 enka b 001 0 eng d
010 $a 93018346
020 $a052143341X (hardback)
020 $c50.00
035 $a(Sirsi) ACJ-3055
035 00 $aCUL A93-5176$fcc$iLCMARC/AQT-0121/PMARTIN
040 $aOPET$beng
043 $an-us---
046 $aDLC$cDLC$dDLC
050 00 $aN6853.D8$bJ66 1994
082 00 $a709/.2$220
090 $aN 6853 .D8 J66 1994$bb
100 10 $aJones, Amelia.
245 10 $aPostmodernism and the en-gendering of Marcel Duchamp /$cAmelia Jones.
260 $aCambridge [Eng.] ;$aNew York, NY :$bCambridge University Press,$c1994.
300 $axx, 316 p. :$bill. ;$c26 cm.
440 0 $aCambridge studies in new art history and criticism
504 $aIncludes bibliographical references (p. 215-309) and index.
518 $a94 06 30
600 10 $aDuchamp, Marcel,$d1887-1968$xCriticism and interpretation.
650 0 $aFeminist art criticism$zUnited States.