| Record ID | OpenLibraries-Trent-MARCs/tier5.mrc:6578026:1700 |
| Source | OpenLibraries-Trent-MARCs |
| Download Link | /show-records/OpenLibraries-Trent-MARCs/tier5.mrc:6578026:1700?format=raw |
LEADER: 01700cam 22002770 4500
001 0116301622423
008 880323s1976 nyu a eng d
010 $a 76003555
020 $a0826119603
035 $a(Sirsi) AAM-8060
035 $a22749335.C..
040 $aOPET$beng
046 $aLC
050 0 $aN71$b.V57
082 $a701/.15
090 0 $aN 71 .V57$bb
245 00 $aVision and artifact /$cMary Henle, editor ; foreword by Rudolf Arnheim. --
260 $aNew York :$bSpringer Pub. Co.,$cc1976.
300 $axviii, 186 p. :$bill. ;$c24 cm.
505 0 $aVisual perception: Held, R. Single vision with doubled images. Metelli, F. What does "more transparent" mean? Kanizsa, G. and Gerbino, W. Convexity and symmetry in figure-ground organization. Kennedy, J. M. Attention, brightness, and the constructive eye. Jameson, D. and Hurvich, L. M. From contrast to assimilation. Wallach, H. The apparent rotation of pictorial scenes. Gibson, J. J., et al. The change from visible to invisible.--Visual thinking: Schaefer-Simmern, H. Basic structures in the earliest beginnings of artistic activity. Nash, E. Hidden visual patterns in Roman architecture and ruins. Gardner, H. Illuminating comparisons in the arts.--Artifact : Sekler, E. F. Le Corbusier's use of a "pictorial word" in his tapestry La femme et le moineau. Teuber, M. L. Blue night by Paul Klee. Zucker, W. M. The representation of the invisible. Hess, W. Formal analysis of a painting by Jan Vermeer. Ashton, D. Art and social change.
600 10 $aArnheim, Rudolf.
650 0 $aArt$xPsychology.
650 0 $aOptical illusions.
650 0 $aVisual perception.
700 10 $aArnheim, Rudolf.
700 10 $aHenle, Mary,$d1913-