| Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:204286543:965 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:204286543:965?format=raw |
LEADER: 00965nam a2200301 a 4500
001 000271922-3
005 20091201145204.0
008 860905s1984 sz ag b 00000 eng d
020 $a3718602725
035 0 $aocm13894526
035 1 $aMAHS86B375
040 $aCLSU$cCLSU$dMH-Mu
043 $ae-fr---
245 00 $aMusical thought at IRCAM /$cissue editor, Tod Machover.
260 0 $aChur ;$aNew York :$bHarwood,$c1984.
300 $ap. 1-230 :$bill., music ;$c23 cm.
490 1 $aContemporary music review,$x0749-4467 ;$vv. 1, pt. 1
500 $aCover title.
500 $a"October 1984."
600 10 $aBoulez, Pierre,$d1925-
610 20 $aIRCAM (Research institute : France)
650 0 $aMusic$zFrance$y20th century$xHistory and criticism.
650 0 $aComputer composition.
650 0 $aElectronic music$xHistory and criticism.
700 1 $aMachover, Tod.
830 0 $aContemporary music review ;$vv. 1, pt. 1.
988 $a20020608
906 $0RLIN