MARC Record from harvard_bibliographic_metadata

LEADER: 02367cam a2200301 a 4500
001 000272010-8
005 20030813151725.0
008 860522s1984 cauafg b 00110 eng
010 $a 82017352 /MN/r85
020 $a0520046048
035 1 $aMAHS86B86
035 0 $aocm08826649
040 $aDLC$cDLC$dHMU
050 00 $aML410.B26$bA58 1984
100 1 $aAntokoletz, Elliott.
245 14 $aThe music of Béla Bartók :$ba study of tonality and progression in twentieth-century music /$cElliott Antokoletz.
260 0 $aBerkeley :$bUniversity of California Press,$cc1984.
300 $axviii, 342 p., [12] p. of plates :$bill., music ;$c26 cm.
500 $aIncludes indexes.
504 $aBibliography: p. 331-333.
505 0 $aThe musical language of Bartók : historical backgrounds. Folk- and art-music sources ; Orientation toward French, Russian, and Folk-music sources : nonfunctional bases in pentatonic, modal, and whole-tone constructions ; Use of symmetrical pitch collections by Russian, French, and Hungarian composers ; Russian nationalists : symmetrical properties of the dominant-ninth chord ; Russian nationalists, Debussy, and Stravinsky : symmetrical properties of nontraditional as well as traditional (pentatonic and modal) pitch constructions ; Russian nationalists, Scriabin, and Kodaly : symmetrical partitions of the octatonic scale ; Late nineteenth- and early twentieth-century Germanic influences : symmetrical organization of chromatically related keys ; The Schoenberg school : symmetrical formations as the basis of progression in free-atonal compositions ; Berg and Webern : total systematization of the concepts of the interval cycle and inversional symmetry in dodecaphonic serial compositions -- Harmonization of authentic folk tunes -- Symmetrical transformation of the folk modes -- Basic principles of symmetrical pitch construction -- Construction, development, and interaction of intervallic cells -- Tonal centricity based on axes of symmetry -- Interaction of diantonic, octatonic, and whole-tone formations -- Generation of interval cycles.
600 10 $aBartók, Béla,$d1881-1945$xCriticism and interpretation.
650 0 $aTonality.
650 0 $aMusical intervals and scales.
655 7 $aCriticism, interpretation, etc.$2fast
710 2 $aIrwin K. Carson Collection.$5mus
988 $a20020608
906 $0DLC