MARC Record from harvard_bibliographic_metadata

LEADER: 02028pam a2200301 a 4500
001 000371491-8
005 20020606090541.3
008 830317s1983 ctu b 00110 eng
010 $a 83005624
020 $a0313236852 (lib. bdg.)
035 0 $aocm09392438
040 $aDLC$cDLC
043 $ae------
050 00 $aPN2053$b.M56 1983
100 1 $aMitchell, Lee.
245 10 $aStaging premodern drama :$ba guide to production problems /$cLee Mitchell.
246 3 $aStaging pre-modern drama.
260 0 $aWestport, Conn. :$bGreenwood Press,$c1983.
300 $axiv, 236 p. ;$c24 cm.
500 $aIncludes index.
504 $aBibliography: p. [221]-228.
505 2 $apt. 1. General points regarding production: 1. Characteristics of early drama -- 2. Problems in transforming the text of a classic into performable material -- 3. Typical problems of casting premodern plays -- pt. 2. The Greeks: 4. Special problems of producing Greek tragedy -- 5. Antigone: a problem of balance -- 6. The Electra of Sophocles: a problem of proportion -- 7. The Trojan Women: a problem of emotional tone-- pt. 3. History: tragical and romantic: 8. The Tragical History of Doctor Faustus: a problem of impact -- 9. The Spanish theatre and Lope de Vega -- 10. Fuente Ovejuna: a problem of language -- pt. 4. Later comedy: 11. The satires of Jonson and Moliere -- 12. Volpone: a problem of contrasts -- 13. The Alchemist: a problem of tempo -- 14. Moliere's art and some typical problems of sequential progression -- 15. Les Fourberies de Scapin: problems of sequential progression -- 16. Tartuffe: a problem of clarity -- 17. She Stoops to Conquer: a problem of coherence -- 18. The Rivals: a problem of style.
650 0 $aTheater$xProduction and direction.
650 0 $aEuropean drama$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aMitchell, Lee.$tStaging premodern drama.$dWestport, Conn. : Greenwood Press, 1983$w(OCoLC)562764724
988 $a20020608
906 $0DLC