MARC Record from harvard_bibliographic_metadata

LEADER: 03106pam a2200337 a 4500
001 000390838-0
005 20020606090541.3
008 850104s1985 nyuaf b 00110 eng
010 $a 85000372
020 $a0231060548 (alk. paper) :$c$60.00 (est.)
035 0 $aocm11623662
040 $aDLC$cDLC
043 $an-us---
050 0 $aPN1993.5.U6$bB655 1985
100 1 $aBordwell, David.
245 14 $aThe classical Hollywood cinema :$bfilm style & mode of production to 1960 /$cDavid Bordwell, Kristin Thompson, and Janet Staiger.
260 0 $aNew York :$bColumbia University Press,$c1985.
300 $axv, 506 p., 64 leaves of plates :$bill. ;$c26 cm.
500 $aIncludes index.
504 $aBibliography: p. 480-491.
505 00 $tPt. 1. The classical Hollywood style, 1917-60 /$rDavid Bordwell.$tAn excessively obvious cinema.$tStory causality and motivation.$tClassical narration.$tTime in the classical film.$tSpace in the classical film.$tShot and scene.$tThe bounds of difference --$tPt. 2. The Hollywood mode of production to 1930 /$rJanet Staiger.$tThe Hollywood mode of production: its conditions of existence.$tStandardization and differentiation: the reinforcement and dispersion of Hollywood's practices.$tThe director system: management in the first years.$tThe director-unit system: management of multiple-unit companies after 1909.$tThe central producer system: centralized management after 1914.$tThe division and order of production: the subdivision of work from the first years through the 1920s --$tPt. 3. The formulation of the classical style, 1909-28 /$rKristin Thompson.$tFrom primitive to classical.$tThe formulation of the classical narrative.$tThe continuity system.
505 00 $tClassical narrative space and the spectator's attention.$tThe stability of the classical approach after 1917 --$tPt. 4. Film style and technology to 1930.$tTechnology, style and mode of production /$rDavid Bordwell and Janet Staiger.$tInitial standardization of the basic technology /$rKristin Thompson.$tMajor technological changes of the 1920s /$rKristin Thompson.$tThe Mazda tests of 1928 /$rDavid Bordwell.$tThe introduction of sound /$rDavid Bordwell --$tPt. 5. The Hollywood mode of production, 1930-60 /$rJanet Staiger.$tThe labor-force, financing and the mode of production.$tThe producer-unit system: management by specialization after 1931.$tThe package-unit system: unit management after 1955 --$tPt. 6. Film style and technology, 1930-60 /$rDavid Bordwell.$tDeep-focus cinematography.$tTechnicolor.$tWidescreen processes and stereophonic sound --$tPt. 7. Historical implications of the classical Hollywood cinema /$rDavid Bordwell and Janet Staiger.
505 00 $tSince 1960: the persistence of a mode of film practice.$tAlternative modes of film practice --$tEnvoi.
650 0 $aMotion pictures$zUnited States$xHistory.
650 0 $aMotion picture industry$zUnited States$xHistory.
650 0 $aMotion pictures$xAesthetics.
655 7 $aHistory.$2fast
700 1 $aThompson, Kristin,$d1950-
700 1 $aStaiger, Janet.
988 $a20020608
906 $0DLC