| Record ID | harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:329560588:1943 |
| Source | harvard_bibliographic_metadata |
| Download Link | /show-records/harvard_bibliographic_metadata/ab.bib.00.20150123.full.mrc:329560588:1943?format=raw |
LEADER: 01943pam a2200337 a 4500
001 000426553-X
005 20020606090541.3
008 841031s1985 enka b 00010 eng
010 $a 84025046
020 $a0719017394 :$c$19.00
035 0 $aocm11397921
035 1 $aMAHS88B228
035 1 $zNYCX85B95039
040 $aDLC$cDLC
043 $an-us---
050 0 $aPN1995.9.M86$bB3 1985
082 0 $a791.43/09/09357$219
100 1 $aBabington, Bruce.
245 10 $aBlue skies and silver linings :$baspects of the Hollywood musical /$cBruce Babington and Peter William Evans.
260 0 $aManchester [Greater Manchester] ;$aDover, N.H., USA :$bManchester University Press,$cc1985.
300 $a258 p. :$bill. ;$c25 cm.
504 $aBibliography: p. [248]-258.
505 0 $aReading a musical, Easter Parade (1948) -- Gold Diggers of 1933 and the Busby Berkeley backstage musical -- The Merry Widow (1934) and operetta -- Swing Time (1936) and the Astaire-Rogers musical -- Jolson I and II (1946/9) and the musical biopic -- Summer Holiday (1948) and the pastoral musical -- It's Always Fair Weather (1955) and the Gene Kelly musical -- Carousel (1956) and th Rodgers & Hammerstein musical -- On A Clear Day You Can See Forever (1970), Minnelli and the introspective musical -- Hair (1979) and the contemporary musical.
650 0 $aMusical films$zUnited States$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
700 1 $aEvans, Peter,$d1933-
700 1 $aEvans, Peter William.
776 08 $iOnline version:$aBabington, Bruce.$tBlue skies and silver linings.$dManchester [Greater Manchester] ; Dover, N.H., USA : Manchester University Press, c1985$w(OCoLC)564957276
776 08 $iOnline version:$aBabington, Bruce.$tBlue skies and silver linings.$dManchester [Greater Manchester] ; Dover, N.H., USA : Manchester University Press, ©1985$w(OCoLC)564957276
988 $a20020608
906 $0DLC