MARC Record from harvard_bibliographic_metadata

LEADER: 01758cam a22002778a 4500
001 000466792-1
005 20020606090541.3
008 851018s1986 ilu b 00110 eng
010 $a 85024649
020 $a0226000184 :$c$20.00
035 0 $aocm12808839
040 $aDLC$cDLC
050 00 $aPN2071.P78$bA27 1986
100 1 $aAaron, Stephen.
245 10 $aStage fright :$bits role in acting /$cStephen Aaron.
260 0 $aChicago :$bUniversity of Chicago Press,$c1986.
300 $axix, 156 p. ;$c23 cm.
500 $aIncludes index.
504 $aBibliography: p. 143-148.
520 $a"Aaron, a clinical psychologist, psychotherapist, and stage director, has written a definitive study of stage fright among actors. His analysis of the rehearsal process, with its displacement relationship between the actor and the director and the separation of selves that the actor seeks, along with the ambivalence toward the audience that is natural for the actorall of which contribute to the acute anxiety attack that is stage frightis detailed, convincing, and revealing. His understanding of the psychological elements that routinely produce stress in actors is profound and practical. He cites cases of documented stage fright and ties them to his own clinical, rehearsal, and performance experience. Though occasionally filled with technical jargon, this study will be of great value to actors and directors and of special interest to those fascinated by theater."--Amazon.com editorial review.
505 0 $aThe actor's work on himself -- Private to public -- Stage fright -- Traumatic anxiety -- The artisic problem of stage fright.
650 0 $aStage fright.
650 0 $aActing.
650 0 $aPsychoanalysis.
988 $a20020608
906 $0DLC