MARC Record from harvard_bibliographic_metadata

LEADER: 01949cam a2200301 4500
001 000667071-7
005 20070901091341.0
008 710520s1971 njuagh b |00100 eng
010 $a 73140092 /MN
020 $a0136080839
035 0 $aocm00139535
040 $aDLC$cDLC
043 $ae------$an-us---
050 0 $aML160.B784$bM9
050 0 $aML160.B784$bM9 1971
082 $a780/.94
100 1 $aBorroff, Edith,$d1925-
245 10 $aMusic in Europe and the United States;$ba history.
260 0 $aEnglewood Cliffs, N.J.,$bPrentice-Hall$c[1971]
300 $axvi, 752 p.$billus. (part col.), facsims., music.$c25 cm.
504 $aIncludes bibliographical references.
505 0 $aPart one: through the medieval era -- Music in the ancient world -- Minstrelsy -- Sacred song -- Philosophy and theory -- Gothic polyphony -- Ars nova -- Part two: the Renaissance -- At the height of the Renaissance -- At the end of the Renaissance -- America -- Part three: the Baroque era -- The new style in Italy -- The new style in Europe -- At the end of the Baroque -- The new world -- Part four: musical criticism -- The modernist generation -- The classical generation -- America and Africa -- Music in the 1780s -- Part five: Romanticism -- The Romantic classicists -- A new republic -- The Romantic generation -- Philosophy and theory -- The later Romantics -- An expanding nation -- Part six: the new music -- Traditionalists and iconoclasts -- Between two wars -- A new sound -- Philosophy and theory -- The United States -- Part seven: history and music -- The practice of history.
650 0 $aMusic$zEurope$xHistory and criticism.
650 0 $aMusic$zUnited States$xHistory and criticism.
655 7 $aCriticism, interpretation, etc.$2fast
776 08 $iOnline version:$aBorroff, Edith, 1925-$tMusic in Europe and the United States.$dEnglewood Cliffs, N.J., Prentice-Hall [1971]$w(OCoLC)592569543
988 $a20020608
906 $0DLC